“Bu büyük bir hikâye:” J. M. Synge’in The Playboy of the Western World oyununu ulusötesi alegorisi olarak okumak

The concept of “national allegory” formulated in Fredric Jameson’s work on the third-world literatures has been subject much critical debate, especially context postcolonial studies. dispute surrounding term is closely tied to controversial suggestions such as view that “all” literary texts inevitably fall into category allegory”. “nation” this sense provides main conceptual framework out which imbued with “allegorical resonances” develop by specifically addressing nation state. formulation acquires further significance when it reciprocally held his “political unconscious”, refers implicit political aspect behind creative works. Jameson suggests artistic works are products unconsciously felt and cultural conditions laid latent historical economic realities. J.M Synge’s Playboy Western World lends itself a Jamesonian reading Irish efforts achieve independence from British rule transmuted dramatic world play form an Oedipal tension between father son. However, does not put forward simplistic allegory since text avoids reproducing picture clear-cut nationhood. This essay argues addresses “postnational” condition transcending militant nationalist ideologies produces “postnational suggestive background points at new rationale for defining call imagining nomadic “beyond”.